Philosophy

My approach to teaching is very hands-on.  As I circulate the classroom to assess students’ needs, I provide individual demonstrations and suggest references as needed. Through this method, students are able to grow at their own pace. I introduce each lesson with an interactive presentation of the history and contemporary application of the art form.  Each lesson is designed to benefit auditory, visual and tactile learning styles. Students are given project criteria and challenged to explore alternative solutions to visual problems. Students receive confidence building commendation and constructive guidance from the instructor and peers.  I believe that critique is necessary to analyze what works and what adjustments can be made to improve the quality of the work.

“Every child is an artist, the problem is how to remain an artist as he grows up.”
                                                                                                                                    -Pablo Picasso

Each student must find a space where they are free of inhibitions and the fear of failure in order to be truly creative. Through open-ended exercises students are helped to experience creative play and brainstorming.  I teach students that much like electricity, the elements and principles of art were not invented, they were discovered and have continuously evolved in usage, from ancient ceramics to contemporary product design.  No matter their preferred field of study, the elements and principles are the foundation of all visual art and design. One common downfall in the design industry today is that many art school graduates do not possess the technical drawing skills to render original ideas from sketch to finish.  Serious students must be willing to exert strenuous effort to the exploration of methods and development of technical skills. I use project criteria that reinforces the design process, the use of principles of art, compositional strategies, advertising techniques and color palettes to help students make more informed and sophisticated decisions in their designs.


I find it important that students interact with art history through recreating master pieces and viewing historical and contemporary works in person.  Students are taught to analyze form, content and context and to imitate effective techniques of visual literacy in their own work.  For me, there was nothing more inspiring than seeing Sargent’s brush strokes from a touchable distance. I encourage students to see, read and listen to everything they possibly can about the field they want to go into, and beyond. Students must become zeitgeist, keenly aware of social, political and cultural issues of our era in order to make work that is intellectually stimulating.